Soundscapes of Sergels torg / Klara Elenius

Clap clap clap clapping hands. Humming in subtle polyphonic melodies. Steps of all sorts, of different tones. Click click high heels. Passing by. Again and again. Language. Incomprehensible words. Blurry but sometimes crystal clear: “Haaaaääär, kolla”. Bus squeaking. Traffic vibrating

Near / Mira Mutka

Twisting the Balance/Leire Mesa

The title of this text is to be found in the text / Klara Elenius and Kajsa Wadhia

text about text 13 messages Klara Elenius <klaraelenius@gmail.com> Thu, Oct 16, 2014 at 1:46 PM To: Kajsa Wadhia <kajsawadhia@gmail.com> The text starts to unfold on this white field in the middle of the screen and no one knows its direction.

The work required to move the walker from position x to infinity / Moa Franzén

      Where B is the body, T is time and t is what we do not know     B: Walk with me through this space for as long as you like, however you like T: Walk in

A tool for a fool, a rule for a mule / Kajsa Wadhia

A tool for a fool

AS A PRACTICE OF I / Anna Öberg

Disorganised Speech for the Disengaged Free Jazz Orchestra / Kajsa Wadhia

I’m going to have to leave for the desert. All the way out there. Without codes. Without language. Without organs without codes without language. Way out there. Way out. Way. Without. Way out without. With out, away with, out and

A RECORD OF ”LEADINGFOLLOWING: THE SPECTATOR’S DANCE” BY TOVE SALMGREN

WHAT IS A DOCUMENT OF WHAT WHAT IS A LEADINGFOLLOWING WHAT IS A DANCE WHAT IS A SPECTATOR WHAT IS A SPECTATOR’S DANCE WHAT IS A LEADINGFOLLOWING DOCUMENT WHAT IS A SPECTATOR’S DOCUMENT WHAT IS A DANCE DOCUMENT WHAT IS