Soundscapes of Sergels torg / Klara Elenius
Clap clap clap clapping hands. Humming in subtle polyphonic melodies. Steps of all sorts, of different tones. Click click high heels. Passing by. Again and again. Language. Incomprehensible words. Blurry but sometimes crystal clear: “Haaaaääär, kolla”. Bus squeaking. Traffic vibrating
Soundscapes of Sergels torg / Klara Elenius
Clap clap clap clapping hands. Humming in subtle polyphonic melodies. Steps of all sorts, of different tones. Click click high heels. Passing by. Again and again. Language. Incomprehensible words. Blurry but sometimes crystal clear: “Haaaaääär, kolla”. Bus squeaking. Traffic vibrating
EVERYTHING IS POLITICAL // by Manon Santkin
Everything is political. We have heard it many times, but yet, it is true and underrated. Everything is political. The sizes are political. Dimensions are political. The distance between two things a and b is political. The neighboring of shapes
EVERYTHING IS POLITICAL // by Manon Santkin
Everything is political. We have heard it many times, but yet, it is true and underrated. Everything is political. The sizes are political. Dimensions are political. The distance between two things a and b is political. The neighboring of shapes
The title of this text is to be found in the text / Klara Elenius and Kajsa Wadhia
text about text 13 messages Klara Elenius <klaraelenius@gmail.com> Thu, Oct 16, 2014 at 1:46 PM To: Kajsa Wadhia <kajsawadhia@gmail.com> The text starts to unfold on this white field in the middle of the screen and no one knows its direction.
The title of this text is to be found in the text / Klara Elenius and Kajsa Wadhia
text about text 13 messages Klara Elenius <klaraelenius@gmail.com> Thu, Oct 16, 2014 at 1:46 PM To: Kajsa Wadhia <kajsawadhia@gmail.com> The text starts to unfold on this white field in the middle of the screen and no one knows its direction.
The work required to move the walker from position x to infinity / Moa Franzén
Where B is the body, T is time and t is what we do not know B: Walk with me through this space for as long as you like, however you like T: Walk in
The work required to move the walker from position x to infinity / Moa Franzén
Where B is the body, T is time and t is what we do not know B: Walk with me through this space for as long as you like, however you like T: Walk in
a step / Mira Mutka
It’s one of those days, you know? The cat is sleeping in a paper bag and baking activities are going on in the tiny kitchen. The storm is here. Well, not really a storm. It is more like rain with
a step / Mira Mutka
It’s one of those days, you know? The cat is sleeping in a paper bag and baking activities are going on in the tiny kitchen. The storm is here. Well, not really a storm. It is more like rain with
A tool for a fool, a rule for a mule / Kajsa Wadhia
A tool for a fool
A tool for a fool, a rule for a mule / Kajsa Wadhia
A tool for a fool
Disorganised Speech for the Disengaged Free Jazz Orchestra / Kajsa Wadhia
I’m going to have to leave for the desert. All the way out there. Without codes. Without language. Without organs without codes without language. Way out there. Way out. Way. Without. Way out without. With out, away with, out and
Disorganised Speech for the Disengaged Free Jazz Orchestra / Kajsa Wadhia
I’m going to have to leave for the desert. All the way out there. Without codes. Without language. Without organs without codes without language. Way out there. Way out. Way. Without. Way out without. With out, away with, out and
Skin-Fiction-Friction / Aedín Walsh
Circus illustrating fiction.. the black hole of an island, waking marooned (and half-drowned/spluttering?) in a stage of ropes and knots.. a room without walls, a world without sun. A womans’ body caught in the dream of a musician. The webbing
Skin-Fiction-Friction / Aedín Walsh
Circus illustrating fiction.. the black hole of an island, waking marooned (and half-drowned/spluttering?) in a stage of ropes and knots.. a room without walls, a world without sun. A womans’ body caught in the dream of a musician. The webbing
BELIEFS // by Manon Santkin
We believe in everyone who is here, we believe in everyone who participates, we believe in not doing it all on our own, we believe in feedback loops, we believe in interferences, we believe in a back & forth movement between rational
BELIEFS // by Manon Santkin
We believe in everyone who is here, we believe in everyone who participates, we believe in not doing it all on our own, we believe in feedback loops, we believe in interferences, we believe in a back & forth movement between rational
Transparent Slowathon Thoughts / Mira Mutka
Danish translation & reading Klara Elenius Finnish translation Mandi Tiukkanen, reading Mira Mutka German translation & reading Max Wallmeier French translation & reading Manon Santkin Spanish translation & reading Leire Mesa Swedish translation Mira Mutka, reading Moa Franzén English text Mira Mutka, reading Pavle Heidler
Transparent Slowathon Thoughts / Mira Mutka
Danish translation & reading Klara Elenius Finnish translation Mandi Tiukkanen, reading Mira Mutka German translation & reading Max Wallmeier French translation & reading Manon Santkin Spanish translation & reading Leire Mesa Swedish translation Mira Mutka, reading Moa Franzén English text Mira Mutka, reading Pavle Heidler
A RECORD OF ”LEADINGFOLLOWING: THE SPECTATOR’S DANCE” BY TOVE SALMGREN
WHAT IS A DOCUMENT OF WHAT WHAT IS A LEADINGFOLLOWING WHAT IS A DANCE WHAT IS A SPECTATOR WHAT IS A SPECTATOR’S DANCE WHAT IS A LEADINGFOLLOWING DOCUMENT WHAT IS A SPECTATOR’S DOCUMENT WHAT IS A DANCE DOCUMENT WHAT IS
A RECORD OF ”LEADINGFOLLOWING: THE SPECTATOR’S DANCE” BY TOVE SALMGREN
WHAT IS A DOCUMENT OF WHAT WHAT IS A LEADINGFOLLOWING WHAT IS A DANCE WHAT IS A SPECTATOR WHAT IS A SPECTATOR’S DANCE WHAT IS A LEADINGFOLLOWING DOCUMENT WHAT IS A SPECTATOR’S DOCUMENT WHAT IS A DANCE DOCUMENT WHAT IS
MEGA MINI 